Today, the legacy of nuclear testing in Kazakhstan is being forgotten and deliberately downplayed in the hope that it will soon disappear altogether. This monstrous collective trauma of the people and the land is being pushed aside in the hope that, for most, it will become something distant and confined to the past—something that happened “there, in Semipalatinsk, in Soviet times.”

But it will not disappear, nor will it become distant. Unprocessed, unspoken, unextracted, it continues to poison the lives of those directly affected by the tests; it poisons the land, the water, the plants, and the animals near the sites of explosions; it poisons the entire nation—silently, like radiation. It generates evil and violence, accumulating like a critical mass.

The entire territory of Kazakhstan was effectively used as a vast testing ground for nuclear weapons.

Once again: 630 nuclear bombs were detonated within a single country. That means that for 40 years, one nuclear explosion took place in Kazakhstan every three weeks.

The destruction of animals and plants, the contamination of water, land, and air were not even considered an unavoidable evil. On the contrary, they were used to scientifically study the effects of lethal radiation.

Millions of people became experimental subjects on whom the effects of nuclear weapons were systematically tested over the course of three generations.

There is not a single monument in Kazakhstan dedicated to all the victims of nuclear testing!

In the 1930s, Sergey Kalmykov conceived devices that were meant to transform the destructive energy of the atom into creative energy. He called these devices Atomic Bombreflectors. They do not operate in the physical dimension, but in the Universal Composition. As I mentioned above, in June 2021 we created the first prototype of the ABR in Moscow and carried out five successful launches with the participation of around 500 people. When, last year, I came across the fact that young people know almost nothing about nuclear testing in Kazakhstan, the idea of applying the Theory of New Genius to this subject arose on its own.

This is how the project of creating the Great Atomic Bombreflector emerged.

This invention must become the greatest in human history—for it must put an end to the very phenomenon of war, and everything associated with it: the arms race, the creation and testing of weapons. This is possible only if it operates on the source of war within the Universal Composition.

Hypothetically, the Great Atomic Bombreflector is a complex device consisting of a technological component—scientific calculations, engineering inventions, and instruments—and a performative component: a ritual that uses the tools of theatre and the spectacular energy of collective memory as its fuel.

The Great Atomic Bombreflector is a great game—one that we invite everyone to play. Just as the inhuman atomic bomb was once created, we are now creating the Atomic Bombreflector. If the Bolsheviks managed to stage a spectacle of revolution that proved more powerful than the actual seizure of power, why can we not create a spectacle of world transformation more powerful than the bomb—a spectacle-genius stronger than war? Do we not live today in a world largely shaped and filled with inventions imagined at the turn of the 19th and 20th centuries by science fiction writers who were neither scientists nor engineers, but visionaries? Is it not possible to assemble a critical mass of driven, demanding visionaries capable of inventing a genius device that acts upon the very source of war—using Atomic Inhumanity as its fuel—and capable of initiating a planetary chain reaction of the disintegration of war?