Manshuq: Rustem Begenov — We Love to Play Like Children and Are Not Afraid to Be Funny, January 2021

(adapted excerpts, translated)

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Excerpts from an interview published in Manshuq (Kazakhstan), reflecting ORTA’s approach to play, participation, and Meta Art & Science.

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Viewers will create a field of concentration and faith within themselves. Every day, anyone can come and participate in our experimental video shoots. We're working on the refinement and fine-tuning of the devices and instruments used in the reactor itself.

 

We've seen that the very processes of our research have spectacular potential. People are very interested in coming and being present. Participation is key in these processes, so we strongly encourage everyone to bring their aspirations and creative impulses. We are completely open to new people, new ideas, and new energy flows.

 

The launch of the First Reactor of Visible Phenomena is a machine that allows us to see phenomena from the Invisible Dimension. These launches are spectacular because they are very enjoyable and have a strong pull.

 

When we grow up, we no longer know how to play; it seems unimportant and not worth wasting our lives or time on. For example, at our first launch, one person asked, with absolute sincerity, "Why watch this when you can earn money?" I think he was expressing a very sad question that plagues everyone, every day.

 

But we believe that playing is the most interesting and important activity an adult mind can engage in.

 

We love to play, like children, and we're not afraid to be funny. For the past year and a half, we've been developing a large project related to building a Portal to the Invisible Dimension, and we hope to be able to present it soon. The new project will incorporate the interim research obtained during the launch of the First Visible Phenomena Reactor.

 

What we do isn't art, but a field we call Meta Art & Science. Generally, we're against putting things on shelves and labeling them, but unfortunately, it's necessary. In our world, we have to somehow orient people to what awaits them, so the use of labels is, of course, inevitable.​​

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